

‘I’ve always believed that part of being an artist for me was always gonna include me speaking up for justice.’ “ about love being interpersonal between the people you’re close to, but also being about seeing the value and the humanity in people that you don’t even know, whether they live next door, across the town or across the world.” “That ‘bigger’ aspect takes on a new meaning now,” says Legend. On the reggae-tinged title track, Legend gets us lifted once again: “The world feels like it’s crumblin’/Every day another new somethin’/But in the end, in the end/Can’t nobody do us in.” Meanwhile, on the closing ballad, “Never Break,” he sings about an undefeatable force that’s “bigger than you and me.” And that’s fine, they don’t have to, but it’s been part of what I think of as my mission.”Īlthough “Bigger Love” was written before all of the protests - not to mention a global pandemic - some songs feel made for this moment. I know every artist doesn’t feel compelled to speak out or doesn’t feel informed enough to speak out. So, for me, that has always been part of my job description. “A lot of the artists that I grew up looking up to - whether it was Stevie Wonder or Harry Belafonte or Nina Simone or Aretha Franklin - they both financially supported the movement during their time and they spoke out when they thought they could be useful. “I’ve always believed that part of being an artist for me was always gonna include me speaking up for justice,” says Legend. The R&B biggie feels a responsibility to be a part of that change as a black artist - whether it’s founding the nonprofit FreeAmerica in 2014 to fight inequality in mass incarceration or recently writing an Entertainment Weekly op-ed calling for justice for Breonna Taylor after she was fatally shot by police in March. I think that’s a powerful thing, and that makes me feel hopeful that we can see some real change.” But there’s another side of it that is inspiring, because you’re seeing so many people out in the streets marching, and it’s not just black folks - there are people of all races and all sexualities and all religions … saying that this country needs equality, this country needs justice, and that black lives do matter. “That can be traumatizing and difficult to watch.


“Part of it is anger and mourning and just being re-traumatized every time when it seems like our lives mean so little to the police and to others,” Legend, 41, tells The Post.
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Since then, “The Voice” coach - one of the best pure singers of his generation - has also won an Emmy and a Tony for producing to go along with a 2015 Best Original Song Oscar for cowriting “Glory,” from the civil rights movie “Selma.”Īs the Black Lives Matter movement has marched on in the wake of George Floyd’s killing and other senseless slayings of black people, the artist born John Stephens says that we still have a lot to overcome on this Juneteenth. People have been paying attention to Legend ever since he took us higher with his 2004 debut, “Get Lifted,” which featured his breakout hit, “Ordinary People,” and earned him the first three of his 11 Grammys. Hopefully everyone is paying attention to that as well.”
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“And I’m excited that people are taking a moment to celebrate the ending of slavery in this country … It also reminds us that we still have a ways to go to get more free in this country. “I’m excited that the album’s coming out that day,” says Legend of “Bigger Love,” which arrives two days before his “ John Legend and Family: A Bigger Love Father’s Day” special airs on ABC. It all starts Friday, when the EGOT winner will celebrate both a new album and Juneteenth, the holiday marking the freeing of the last US slaves - in Galveston, Texas - on June 19, 1865. Obama gets in some golf before star-studded Martha's Vineyard birthday partyĪriana Grande fans go crazy over new 'The Voice' promo: 'She kills it!'įor John Legend, this will be no ordinary Father’s Day weekend. 'Hypocrisy at its finest': Obama's 'scaled back' 60th birthday bash draws celebs, pols 'Squid Game' fans mad at Chrissy Teigen's theme party: 'So beyond tone-deaf'
